Sublustrum music: Soundtrack Credits, Tracks, and Formats

Sublustrum music at a glance

If you remember a sound from Sublustrum but cannot name it, the soundtrack listing offers a useful starting point: a credited creator, two visible track titles, and a stated album length. This guide separates what is documented about Sublustrum music from what still needs verification, so you can identify the album without mistaking a third-party download listing for an official release page.

The available reference is a Sublustrum soundtrack listing. It identifies Anthesteria as the project behind the music and describes an album associated with the Windows game. Because that is the only detailed album source available here, its figures are best treated as listing details, not independently confirmed specifications for every edition.

These distinctions matter if you are comparing a CD, an online album page, and files you already own. A matching title alone does not establish that two copies have identical tracks, mastering, packaging, or distribution rights. Start with the credited artist and track names, then compare the edition details.

Who made the Sublustrum soundtrack?

The listing credits Anthesteria with composing, recording, and producing the music between June 2007 and March 2008. That production window is more specific than the album’s listed year, but it does not tell us when each track was finished or when a particular edition reached listeners.

The personnel credits also name three musicians and their instruments. They help explain the range of sounds the project could draw on, but they are album-level credits. The source does not say that every credited instrument appears on every track.

That mix of string instruments, flute, viola, didgeridoo, and vocal technique makes the credits worth consulting when you are trying to describe a passage precisely. Still, hearing what sounds like a flute is not enough to assign a specific moment to Andrei Minaev. An instrument credit identifies participation in the project; it is not a track-by-track performance log.

For the same reason, avoid treating the credits as a complete technical account of how Sublustrum music was made. The listing does not specify recording equipment, software, session locations, mixing choices, or whether a particular sound came from a live performance or later processing. Those details may be interesting, but they cannot be established from the available source.

If you are cataloging the album, record Anthesteria as the credited music project and keep the individual musicians in a separate personnel field. That preserves the distinction the listing makes between the overall project credit and the named performers.

Confirmed tracks and how to identify them

Only two track rows are visible in the supplied soundtrack reference. The album is listed as having 15 files, but the available material does not provide a trustworthy title and duration for the other 13. Rather than fill those gaps with guesses, the table below sticks to the visible entries.

A duration can help narrow a match, but it is not a fingerprint. Encoders may add small amounts of silence, and editions may differ. If a file is a few seconds longer or shorter than the listing, inspect its source and credits before deciding whether it is a different recording.

For a practical Sublustrum music lookup, try this sequence:

1. Search the artist and title together. “Anthesteria Sublustrum Theme” is more specific than the game title alone.
2. Check the album context. A track should be associated with Sublustrum, not merely have a similar name.
3. Compare the credited project. Look for Anthesteria rather than relying on artwork or an uploader’s description.
4. Use the duration as a secondary clue. The listed times are helpful for “Sublustrum Theme” and “The Journal,” but they are not proof by themselves.
5. Document uncertainty. If a file lacks credits or comes from an unidentified upload, label its attribution unverified in your library.

This approach is particularly useful when filenames have been shortened or stripped of metadata. You can rename a personal library file after checking the evidence, but avoid assigning one of the two known titles to an unidentified piece simply because its mood seems to fit. The reference gives no scene-by-scene music guide and no full track list to support that inference.

The listing also does not establish whether its 15 files represent every piece of music heard in the game. An album track count and an in-game music inventory are different things. Without a documented comparison between the album and the game audio, the safest description is “15 files on the listed soundtrack album.”

Formats, editions, and access

The soundtrack page displays MP3 and FLAC options and gives separate total sizes for each. Those figures can help you plan storage or check whether a collection resembles the listed album. They do not, however, establish the encoding settings, audio resolution, provenance of individual files, or permission to redistribute them.

The size comparison is based on the totals shown in the listing, not on a listening test. FLAC is a lossless file format, while MP3 is lossy, but a format label alone cannot tell you how a particular file was sourced or whether it will sound different to you on your equipment. Do not assume that a larger download is a verified rip of the Collector’s Edition CD.

The Collector’s Edition note is important for collectors: according to the listing, that edition included a soundtrack CD. It does not tell us whether every regional release had the same package, whether the disc matches all 15 listed files, or whether a new licensed digital edition is currently available.

If you want to obtain Sublustrum music, verify the seller or distributor before paying or downloading. An album page that hosts files is not, on its own, evidence that the files are authorized. You can also check Steam’s search results for Sublustrum when investigating current storefront availability, but a search result—or the absence of one—does not confirm soundtrack licensing. Availability can change, and the game and its soundtrack may be offered separately.

For an existing collection, a simple record can save confusion later:

• Source: CD, storefront purchase, or another identifiable origin.
• Edition: Any packaging or release information you can verify.
• Artist credit: Anthesteria, as stated on the soundtrack listing.
• Track evidence: Confirmed title, number, and duration where available.
• Unverified fields: Leave these blank rather than inventing a title or date.

This is a more reliable way to organize the soundtrack than copying every field from an online page into your music player. It also makes later corrections easy if you find the CD packaging or another authoritative credit source.

FAQ

Who composed the Sublustrum music?

The available soundtrack listing credits the Anthesteria project with composing, recording, and producing the music. It also names Dmitrii Globa-Mikhailenko, Andrei Minaev, and Liudmila Emel'iashina in the personnel credits. It does not provide individual composer assignments for the two visible tracks.

How many tracks are on the Sublustrum soundtrack?

The referenced album page lists 15 files and a total running time of about 1 hour and 10 minutes. Only “Sublustrum Theme” and “The Journal” have visible titles in the supplied reference, so a complete track-by-track list cannot be confirmed here.

Was there a physical soundtrack CD?

The listing says a CD came with the game’s Collector’s Edition. That supports a note about that edition, but it does not establish the contents or availability of every other release.

Is the soundtrack available in MP3 and FLAC?

The referenced listing shows both formats, with totals of 125 MB for MP3 and 335 MB for FLAC. Those are the page’s file figures, not a guarantee of audio provenance or distribution rights. Check an identifiable, authorized source before acquiring a copy.